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Feminist Frequencies
Composing Paradoxes | Feminist Process in Sound Arts and Experimental Musics
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Introduction
Chapter 1 | Hierarchies of Difference
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Listening Out For a Feminist Subject
Mapping the Masculine Universal
Silenced as Noise
Written into History: ‘Woman-Centric’ Feminist Musicology
Gender-Centric Feminisms in Music and Sound
Written Out of History
Resistances of History
Destabilisation of the Subject
Practicing Balancing Acts
More Paranoid Repairs
Repairing the Self as Other
Chapter 2 | Unspeakable Noise
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By Utter Force
Speech Acts On Us
Failing Frustration
Corporeal Style
Survival and Desire
Audition <=> Exchange
Musical Structure <=> Ephemeral Musical Relationships
Sounding Archival
This is the Art
Activating Publics
Chapter 3 | Politics of Audition
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Auditions of Devotion
Listening to time hearing space
Resounding Histories
The Changing Same
The Dialect of Dialectics
Bibliography
Attribution
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speech act theory
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