I mean to kind of look at why so few women are written about, how that’s recorded and how that all feeds in to a…
Composing Paradoxes | Feminist Process in Sound Arts and Experimental Musics
I mean to kind of look at why so few women are written about, how that’s recorded and how that all feeds in to a…
Emma Hedditch’s installation We’re Alive, Let’s Meet! (2005), consisting of a series of ‘get-togethers’, queers hegemonic disciplines of psychoanalysis and pedagogy through a subversive appropriation…
The two works addressed in this chapter, Cathy Lane’s Hidden Lives (1999) and Emma Hedditch’s We’re Alive, Let’s Meet! (2005) provide complimentary movements for an appreciation of the…